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Radicalism and Popular Protest in Georgian Britain, c. 1714–1832 Coming Soon

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An illustration of the Peterloo Massacre, titled "A Representation of the Manchester Reform Meeting Dispersed by the Civil and Military Power, August 16th 1819". It shows hundreds of people in the foreground, some on horseback, and a row of buildings in the background.

People, power, rights, and representation

It seemed as if the sun of freedom were gone down, and a rayless expanse of oppression had finally closed over us.
Passages in the Life of a Radical (1844),  Samuel Bamford.

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Explore the role of radicalism, dissent, and popular protest in Georgian society

An illustration with the caption Tom Paine's Nightly Pest. On the right is a man sleeping in a bed of hay. Two Guardian Angels are on the headboard, depicted as floating heads with wings. Above the bed, a small, demon-like creature flees the room through a window. On the left is a heavenly cloud, featuring three cloaked figures displaying open scrolls towards the bed. Above the figures are a noose, a pillory, and a set of scales.
A poster of text with a large title that reads Reform or Ruin!. Beneath it reads There exists no Alternative. Now or Never!. Several smaller lines of text are below. It is dated April 27, 1831, in the bottom left corner.

Great Britain was transformed in the Georgian period, which began with the accession of King George I in 1714. Against a backdrop of immense social and cultural change, political radicalism was fuelled by revolutions abroad and Enlightenment ideas of liberty and egalitarianism. At the same time, the impact of wars, industrialisation, and economic change resulted in unemployment and high taxes and prices, leaving many in society impoverished and desperate for change. 

Comprising over 90,000 images sourced from The National Archives (UK) and the Working Class Movement Library (UK), this fascinating collection examines stories of protest and dissent, activism and unrest, conspiracies and plots, and acts of treason and rebellion against the government and the monarchy. 

A radical press thrived in a time of prolific popular print culture, and radical societies and revolutionary committees around Britain demanded reform. This collection features influential works of radicals and reformers, such as Thomas Paine, the political theorist whose calls for fundamental change had such an impact in revolutionary America.

It also surveys rioting in the 1720s to protests in the 1830s, when the 1832 Reform Act quelled some calls for reform, while igniting many others. The sources include numerous accounts of agricultural disorder and industrial grievances, such as frame–breaking and Luddism. An unstable relationship between the people and the authorities raised issues of suffrage, citizenship, rights, class, and gender. Significantly, this collection celebrates the agency of ordinary people within, and their contribution to, popular protests.

Featured are a wide range of sources, including pamphlets and “seditious” publications and papers; posters, broadsides, and handbills; poetry, songs, and ballads; and satirical prints and cartoons. The records are drawn from a number of government papers, including King’s Bench and Treasury Solicitor files that document state trials, riots, and sedition. 

Interdisciplinary in approach and ethos, this collection will appeal to students, educators, and researchers studying social and cultural history, particularly those interested in popular politics and social movements, print culture, legal history, and the history of ideas. Those situated within the fields of criminology, sociology, and other branches of the social sciences will likewise find much of value in this collection—its themes resonate strongly with modern day popular protest campaigns concerning rights, representation, and social justice.

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Radicalism and Popular Protest in Georgian Britain, c. 1714–1832...

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Trial Collection 
An illustration of the Peterloo Massacre, captioned "Manchester Heroes". Military officers on horseback enter from the left, trampling over dead and injured bodies. A speech bubble comes from one officer, reading "Cut him down, cut him down". Another officer aims a sword at a woman who has two children beside her. A speech bubble comes from one of the children, reading "Oh pray Sir, don't Kill Mammy, she only came to see Mr. Hunt". On the right, a distressed crowd runs away.

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